As hard as I’ve tried to get back into writing fiction – taking a class from the Las Vegas chapter of RWA and reading No Plot, No Problem – to motivate myself to join NaNoWriMo for the month of November, I just can’t do it. I’m too far gone when it comes to music these days and I’m dreaming of upgrading my studio.
I’m pretty sure I won’t really be doing NaNoWriMo – oh, sure, I’ll continue to write the tome I seem to be working on when the mood strikes, ie, a scene or emotion comes to me that I must write down. Maybe because these days music is my main focus. And that is quite a juggling act.
In Songwriting: Essential Guide to Lyric Form and Structure, published by Berklee Press, it says this about writing lyrics upfront, right in the introduction, the first page of the book:
You will have no trouble learning about lyric structure. It is simple, just like juggling. When a juggler keeps four balls in the air at once it may seem like magic, but there is no magic involved. The juggler learned by throwing one ball up and catching it, throwing and catching, stopping and starting the motion; always gaining greater control over the movement of the ball. Then came two balls, then three, throwing and catching, stopping and starting, with greater and greater control.
As a lyricist, you must learn to juggle four balls.
1. How many phrases does it have?
2. How long is each phrase?
3. What is the rhythm of each phrase?
4. How are rhymes arranged?
And that’s just the lyrics. Then there’s the music, and music production. Each piece requires great skill, learning the craft, and practice. And then they all must work together – prosody, that’s what it’s all about.
I’ve been gearing up for writing 30 poems in 30 days for #NaPoWriMo this April but I’ve just learned of #CampNaNoWriMo (April version of #NaNoWriMo–Novel Writing Month). Something has got to give! After #FAWM (February Album Writing Month), I’ve decided that perhaps I should give my ears a break and write a novel and poetry instead. I can gear back up for 50/90 (50 Songs in 90 Days) from July-October.
I’ve never been a fan of these writing challenges before but, somehow, where I am in life is leading me to loving them.
I’d just joined TAXI, I still have two months of NSAI membership, recently enrolled in a Logic Pro X Music Production class and got some new killer speakers, so I am feeling a bit guilty about putting music aside to focus on other writing. But, I tell myself, it’s only for one month. I still have time for 50/90, and I still have time for the TAXI Road Rally in November.
Let’s see how this year plays out.
I started out with GarageBand and there’s something about it being so approachable, especially for females, that really moved me forward in my music production career. And why I post that quote in my header. More women need to be empowered to engage in this male-dominated industry.
A few outstanding women who have helped me in some way are Dot Bustello, a former Apple employee and Logic Pro expert. She talks about becoming “one with Logic Pro,” because it (or your DAW of choice) is your instrument. You must practice like you would a piano or guitar. I’m still working on this — so much to learn! Logic Pro is what I use most of the time now, although sometimes I still pull up GarageBand to get some tracks down when an idea strikes me. And I’ve also dabbled in Ableton Live and ProTools.
Another female-empowering woman is Berklee Professor Erin Barra who teaches Ableton Live.
And then there’s the Azalea Music Group’s “Empowering Women in Audio Recording & Production Clinic” coming up in Nashville, which looks to be amazing. Wish I could be there!