Screamie Birds St. Paddy House Party

Happy St. Patrick’s Day!

In honor of the occasion, I put together a playlist of some of my favorite tracks I’ve created during 50/90 and FAWM. This time I used Ableton Live 11 to produce the track and, let me tell you, it was far more producer friendly than Logic Pro, although I do kinda like creating in Logic.

Hope you enjoy!

The Last of Social Media

Several years ago I finally empowered myself to finally completely sever my relationship with Facebook and have never been happier making that decision. Instagram was easier to walk away from. Twitter has been more difficult. I deactivate/activate my account several times a month these days. In December, I almost made it through the month, going from deactivate to delete. At the last minute, I logged back in to keep the account. Maybe because I’ve had it since 2005.

YouTube is another problem I’m having (especially during this time of isolation). To be specific, I’m having difficulty unsubscribing from all of those travel vlogs like Disney and cruising. I unsubscribe and then resubscribe, “needing” to peek in to see what they’re up to now and then. On a daily basis. Especially when there are Disney or Knotts events coming up. But really? I’m not sure I can stand that level of stupidity and self-absorption any more.

One vlogger said recently that they were in no hurry to upload their Knotts Boysenberry Festival because most of the other West Coast vloggers were in Disney World. Okay, so you’re only in this to be first I guess. Not to provide content your viewers are interested in. Vloggers just care about getting hits associated with being first out there in some grand competition (to, hopefully, make money).

Unsubscribe…

Okay, so the next test will be if I can delete my YouTube channel. It’s a mishmash of Disney, cruising, travel, book trailers, and music. I’ve been trying to focus more on music but I have a feeling the subscribers I do have are there for Disney and cruising and not my books and music. But right before the pandemic, one of my cruise videos went viral (for me) and got 87K views in practically no time. Hard to delete it now…

But, perhaps, if I finally take that final step, deleting Twitter and YouTube, I’ll actually be able to juggle writing books and music instead of feeling like I must choose one because I don’t have the bandwidth to do both. Maybe I do have the bandwidth if I don’t waste it on meaningless unsocial social media.

But what if I need Twitter to promote my next book… I read that, and I know this to be true, you don’t really sell books on Twitter or any social media. Social media is really just a lie.

FAWM 2021 is in the House

So I finished FAWM 2021 (14 songs in 28 days) – not only finished it but finished early! I’m stunned. This may be a first. What was my secret? Music – creating music is my lifeline, giving me focus during these difficult times.

I know a lot of people are depressed now – many of us struggle with depression during ordinary times and these extraordinary times have added to our struggle. Our normal coping mechanisms have been unavailable to us.

For me, it’s mostly situational and, normally, I would take trips, change up my routine or make plans to change things. But that has been pretty impossible with the world shut down. Even my quick trips to California were not possible during the holidays when hotels were not taking reservations for “non essential” travel.

So I’ve focused on the good things that have come my way during this time, appreciate this special time my husband and I have had together with both of us working at home, ordering food delivery from favorite restaurants more than we would have before. Maybe stocking the bar more than usual – lol! Heck, I’m even starting to enjoy the masks and having more personal space in public.

True, I still have trouble sleeping and I find myself doing it in shifts. With way too much time with anxious thoughts or just lying awake with no thoughts interesting enough to engage me – I think that’s the worst part. Just lying there awake!

Thankfully, FAWM gave me a lot of focus and an opportunity to try new music skills, experimenting with new sounds and arrangements. Still, I finished early, but that’s okay because Ableton 11 drops Tuesday. I’m ready to go!

2021 FAWM: Variations on the House

FAWM 2021: Day 11, Song #7

Okay, so I’m definitely ahead of schedule for FAWM (February Album Writing Month) – 14 songs in 28 days. Actually, I’m halfway there! Yes!! And Ableton announced Ableton 11 is dropping on the 23rd so I’d like to finish FAWM before then so I can start playing around.

Anyway, track #7 is my version of a Rock EDM, although I have to say I prefer EDM remixes of classic rock songs and must try my own. Search on Spotify for “Classic EDM” if you’re interested. If you’re looking for my latest FAWM playlist, check out this SoundCloud link:

 

Ableton Live 11 vs Logic Pro 10.6 vs Writing vs 2021 (#NewYearGoals)

This is what I’m faced with as we head toward 2021, not coming quite fast enough it seems. The holidays seem to drag on, this year more than usual, and we all so want life to return to normal. Enough already!

I’m still trying to figure out how to juggle giving enough attention to my writing career and my songwriting/music producer career, still in its infant days of launching.

Ableton Live 11 is reported to be coming out in early 2021, whatever that means. I’m still trying to learn all the Logic 10.5/10.6 features.

This has been the common theme over the past year or two: how to write marketable novels and music in a way that honors both. The “kick as” writing books act as if all you’re doing is writing and the to-do list is enormous. So how do you do both? One must be the frontrunner.

So do I decide that first? Which is the frontrunner: “writing” or “songwriting.” Music or books. EDM or fiction. It probably doesn’t seem that important to worry about Ableton vs Logic if I’m putting writing in the foreground. Or does it?

I’m on the list for the Ableton 11 upgrade, which comes with a discount if I pre-order. But does it make sense to spend that money if I’m going to focus more on writing fiction? Shouldn’t I invest that money in the marketing of my books? Besides, I’m kinda loving Logic Pro 10.5/6.

To be honest, I see more of a fruitful career path in writing fiction, although I’ve been neglecting it in a big way lately to focus on music. Do I keep pushing, going all-in with music (I have tons of tutorials I need to get to) or pick up the pieces of my latest wip and kickstart my life as an author?

Yep, this is what I’m dealing with. This is how my mind has been rambling and why I haven’t been posting here as often as I used to. Any advice? Did you say, “Pick one and move on already?” or maybe it was “Sit butt in chair and just do both!” lol!

Music Production, Writing, Reading… Running Out of Coping Mechanisms

Watching videos of people enjoying the Christmas festivities at Disney World, well, I can’t help but feel a little jealous. With California’s strict reopening guidelines and Disneyland’s reluctance to open up any of the parks (i.e., Knott’s Berry Farm) until now, and the cruising industry’s slow road to recovery, Nevada getting close to lockdown again, well, I’m going a little crazy. I mean, who isn’t, right?

I’ve spent these last 8 months at home working on music, switching back and forth between Ableton Live and Logic Pro, the latter due to the 10.5 updates. And now with news of Ableton Live 11 coming out soon, well, there’s even more for me to dive into. But there’s also a lot of stress with all of that learning and it wears me out. So I’ve taken time to read and even work on a couple of manuscripts I’ve started writing. But nothing, really, after all these months, is really working toward peace of mind. Prayers and positivity help, of course, but when there’s an underlying or maybe not so underlying crisis happening, it’s really hard to escape.

I think many of us felt a bit of relief when Biden won, even if we weren’t big Biden supporters, if only because, in my case, I did not want to sit back and watch the lunatic, aka the Narcissist for another 4 years. His behavior since the election validates everything I know about Narcissists. And once you’ve had an experience up close with one, you don’t need a psychology degree to get it. Maybe you get it even more than somebody who has just studied it. Experience is a great teacher.

So with heavy handed governors issuing mandates (sometimes necessary, but, perhaps, not done in the best way) and a lunatic for a president, it’s like reliving a dysfunctional childhood all over again. The artist’s spiritual life and food and drink and rearranging the furniture a zillion times helps for a while, but I’m running out of coping mechanisms.

Today’s joy, though, was picking up my latest copy of Electronic Musician. Just reading the masthead made me smile, reminding me of my early days in San Francisco working in production on Mac User magazine. So cool to see my name listed as Production Manager. That took me to McGraw-Hill Publishing in Berkeley, but the most fascinating part of that was sharing the building with a music studio and seeing a glimpse of artists like MC Hammer getting out of the limo. The MC Hammer dancers lived in an apartment complex down the street from mine.

And so, when all is said and done and things are back to normal and I can cruise the high seas and relive my childhood at Disneyland, well, in the end, it’s all about the art, the music, and the spiritual journey I am on.

Ableton Live 11 vs. Logic Pro 10.5 (#music #production #Logic #Ableton)

This time last year toward the end of 50/90, I got Ableton Live 10 Suite. I was curious about some of the more accessible features to me, at least more accessible than Logic Pro X, the DAW I’d been using since I started music production. But then Logic updated LPX to 10.5 with some amazing features. That left me reeling. Now which DAW would I use? Logic or Live? I’ve been scurrying between the two ever since, trying to find my definitive answer. I really want to commit to just one DAW.

Then this morning, my email was filled with announcements of Ableton Live 10 updating to Live 11. I got up at first light, made some coffee, and jumped on YouTube to watch some videos. When I mentioned on one that I couldn’t decide which one to commit to, he made a car analogy of which one do you feel more comfortable jumping in and taking for a spin (or something like that).

My problem is this: starting a Project in Logic Pro is like me grabbing the keys to my Black Challenger and heading down the open desert roads, radio blasting, wind blowing in my hair. I’m having a great time, thinking I know what I’m doing. Until I look at this shifty knob that’s just sort of added on for those who know what to do with it. And I don’t. And I’m afraid if I allow myself to try it out, I’ll blow it up.

Starting a project in Ableton, for me, is like cranking up a VW Bug (funny, they both happen to be made in Germany and my husband’s last name is German), and shifting it into gear (a bit awkward, but by the time I’m headed down the road, I’m feeling like I know everything about it, and I could even change the oil) – lol!

LP 10.5 gave us some cool Ableton features. Ableton 11 is giving us some cool LP features. So now I have no idea which DAW to commit to. But I need to figure it out before Ableton 11 is released. And before I buy Push2. I wonder if Push would push me over the edge.

I Thought I Loved Words…

I’ve been using the iPad so much that I now have sore shoulders, sore arms, sore neck, and it hurts to sleep. So I’m swearing off the iPad. I read that this is a thing now, especially for women, this difficulty using an iPad without pain.

I use it for so many things. What will I do with myself if I can’t use it? I even use it to read. Snap! Why not get some audio books? I tried some samples and I liked it. Not for fiction but non fiction. Listening to a book on writing craft was fun. Until they spoke of their love of words.

I remember when I thought I loved words. I love the idea of words. I love the idea of getting back to writing words. But I really love the *sound* of words. No wonder I’m enjoying audio books. But I shouldn’t be listening to audio books on writing craft. Not when I love the *sound* of words. No, no, this brings me back to my love for music, the thing I’ve been running from for so much of my life. And the thing I thought I’d been running toward in recent years.

Resistance. It’s still a thing.

Taxi A&R Road Rally Prequel Starts Today

As a member of Taxi A&R for 3 years now, I must confess this will be my first Road Rally mostly because it’s being held online this year, like most other conferences. I’d hoped to get to it live in Los Angeles for the past 2 years but the first year we were living in Florida and last year we were building a house in Las Vegas and it just didn’t work out.

What’s different about this year, other than being held online is that there are 3 days of “prequels” anybody can tune into for free – you don’t have to be a member.

If you’re interested, just go to the Taxi A&R YouTube channel here. Let me know what you think.

I Wanna Dance With Somebody (#50/90)

For song #4 of the 50/90 Challenge (2020), I chose to do a Classic House track, and I must say it’s my favorite. Or maybe each current song is my favorite, right? And after I received some invaluable feedback from a professional DJ, I made a couple of edits and reposted it on SoundCloud. I may continue to work on it as I gain more skills or just might start with something new. Anyway, here is where I am on the producer track:

First 3 Songs for #50/90 (#House #Music #Production)

My approach for 50/90 this year isn’t to see how many songs I can bang out in 90 days. Instead, I’m trying to see how many different styles of “House” music I can “master” and, therefore, focus on the genre and the quality of my productions in Ableton Live and Logic Pro X.

So far, here are the 3 songs I’ve written/produced/posted on 50/90 via SoundCloud:

Keep It Movin’ (Classic House)

Space Disco Party (Space Disco)

Catch the Moment (Deep House)

 

 

New Beginnings (#50/90 #poem #lyrics)

Yes, it’s the 4th of July, Independence Day for the U.S. but also the first day of 50/90 (the write 50 songs in 90 days challenge). And so a poem came to mind during the night, raw, for sure, but, inspired by “The Making of Frozen II” on Disney Plus, I post it as part of the process of 50/90.

New Beginnings

Surrender the old
Trust in the beginning
Embracing the new
In spite of the blues
These words to the wise
My fears not disguised

This time feels different
Body older and fragile
Relying on me no longer
My spirit is stronger
The old self-reliance
Becomes a castle of silence

My heart beats a longing
For what I know not
Showing up and suited
Desire deeply rooted
Stories and sounds on keyboards I write
What the muse whispers to me in the night

Gearing up for 50/90

Fifty-ninety begins July 4th and lasts through September 30. The challenge is to create 50 songs in 90 days. I think it will be an awesome way to focus.

Yesterday, I posted on my travel blog some thoughts about my childhood and how when we visited my step dad’s family in California’s Central Valley, I would leave the women behind in the living room talking about babies to sit with the men on the front porch talking trash about drinking, the neighbors, and other stuff I can’t remember while making home-made ice cream.

Anyway, that got me to thinking about how hanging out with musicians in places like FAWM and 50/90 and Sonic Academy is like hanging out with the guys on the front porch. While there are women there, the majority are men. And that’s more than okay.

I also notice that when I’m involved in podcasts and live videos in these communities, we focus on the music. Nothing else exists other than a passing comment about having more time to create music. There’s no politics. And it’s so refreshing.

So I’m thinking that maybe if I focus on the next 90 days, that when it’s over, all of this might be over. Or in a better place than where we are now. And if not, October brings Rocktober and November brings National Solo Album Month (NaSoAlMo), the music version of NaNoWriMo (instead of writing a novel in a month, you write an album). Maybe *then* it will be over. If not, then there’s Christmas and New Year’s and then maybe it will be over or mostly over in 2021.

 

Disco Queen to Queen of Beats (#EDM #music #producer)

Okay, so my latest toy is Kick 2 by Sonic Academy. Paired with Logic Pro X 10.5, well, I’m in beat heaven!

I used to joke that I was a Disco Queen, fell madly in love with disco the first time I walked into Earthquake Ethel’s and the pulsating beat led me to one of the three dance floors. (We didn’t take many photos back then, so this is the closest pic I can find from that era.)

So, it comes as no surprise, really, to find myself into EDM (Electronic Dance Music), especially because I’ve been involved professionally with electronic production since those early disco days. First in publishing, now in music.

Funny how people were determined to kill disco. Funny also how romance writers were determined to kill chick lit. Both my favorite genres. Well, I guess it’s true. I do seem to march to a different drummer, which means:

To act independently, differ in conduct or ideas from most others.

As Henry David Thoreau said in Walden (1854): “If a man(woman) does not keep pace with his(her) companions, perhaps it is because he(she) hears a different drummer.”

Discovering Sound Design

(This may be repetitive for those who have read this blog for some time, but in a nutshell, this is the background to my music journey.)

I’ve always loved singing – even from a young age. My mother tells the story of me, smudge on cheek, sitting on the front porch singing with my step dad while he played guitar – me having no idea what the lyrics were to the song. Later, I performed in the school choir and sang as a soloist. I played an electric organ I got for my 7th birthday. Later, I moved on to piano and when groups like the Beatles were all the rage, I even played a few chords on the guitar.

I was stumped by three things.

Being told:

  • You have a great ear for music
  • Your writing is poetic, almost lyrical in rhythm

The first one was said by my school music teacher and later, my vocal coach in Las Vegas (he appeared in Mamma Mia), and the second was my literary agent when she signed me for Real Women Wear Red.

Thinking:

  • My favorite words in 1st Grade were “said” and “David”
  • My favorite songs had stripper-like drums

Later, when I met my father, he said “All my kids play the drums” and then it all fell into place. That explained some of my favorite songs, and, of course, the “d” in those words sounded like a drum – lol!

I also discovered my grandmother wrote poetry. Ah… I started putting it all together, pursuing songwriting and got a new music keyboard. But something wasn’t quite coming together. Then, as I started studying music production, first GarageBand, then LogicPro, and now Ableton Live, I realized how much I loved “sound” – it’s something more than just music.

I recently purchased Kick2 and Ana2 from Sonic Academy, learning deeper levels of sound design. And I absolutely love it! This is so bringing me out of the doldrums this weird time in our world has brought to us.

This also brings up questions, such as:

  • Should I do 50/90 this year?
  • Will I renew my TAXI A&R membership?

Neither seem all that focused on the kind of music and/or sounds I’m creating. Perhaps it’s time to reassess my goals.

Deja Vu at the Blue Diamond Saloon, the Book, the Poem, the Tour, and Now the Song (#FAWM)

You may recall that I’d just finished a publicity tour for my psychological suspense novel, Deja Vu at the Blue Diamond Saloon at the end of 2019 before starting FAWM on February 1st. Well, during the tour, I’d written a poem about the book here.

So, naturally, I turned that into a song for FAWM 2020. Check it out. I hope you like it – the song, poem, the tour, and the book. 🙂

Blogmas, Day 30: End-of-Year Ableton Live Progress (#blogmas)

Many of you blogging this blogmas have mentioned the books you’ve enjoyed reading over the holidays. And in the past, that might have been me, too, especially if you mean fiction. But this year I’ve been cramming learning Ableton Live, taking tutorials and reading non fiction books. Gearing up for FAWM (“February Album Writing Month”), I guess

Logic Pro X is my DAW of choice but as an EDM producer, I wanted to learn Ableton Live. It seems so suited to the music genre. But it’s been quite a struggle in some ways, in others it’s been a breeze. I think that’s because each DAW specializes in different areas. I can sit down and start creating a song right away in Logic Pro, in Ableton, it seems the simplest things are the most difficult. But when it comes to mastering more of the advanced features in music production, Ableton seems to do it much more easily.

And while I’ve been madly applying myself to music tutorials for Ableton, I stumbled upon some really cool ones for Logic Pro, too, and have learned some interesting things I’m quite excited about. What to do, what to do? Ableton Live or Logic Pro? Well, I suppose I really don’t have to choose because I imagine it’s good for a producer to know more than one DAW. The real choice is which one do I use in the moment? lol!

There are a lot of tutorials out there, but it can be challenging following along. Sometimes they use third party plug-ins that you don’t have or their techniques zip past you so fast, you can’t possibly keep up. I’ve probably tried dozens just on one site. Anyway, here’s a sample song I managed to figure out in Ableton Live (via Groove3) from programming drums and synths to mixing and adding special effects such as EQ, reverb, and automation.

L.A. Nights Book Trailer is Live

Story and Music by Kathy Holmes

I love making book trailers, using visuals and making my own music to give a peek into a story I also wrote. L.A. Nights is available as a standalone short story or as part of the Cougars in Cabo anthology. For more information, see SHORT STORIES under the BOOKS menu.

Tequila, Take Me Home

I wrote this song when we were living in Florida. We were having lunch at La Fiesta, the most Southern California Mexican restaurant in the New Smyrna Beach/Daytona area and I was soaking up the atmosphere, the Mexican music, and the “Mexican Margarita,” as they called it. It was my favorite, if not a bit strong.

A Native Californian, I was so homesick for the West Coast so I took a drink and said, “Tequila, Take Me Home.” That became a song.

So when Taxi A&R had a listing for “drinking songs,” I submitted it. Well, it was not forwarded. But after last night’s episode where they played many of the submissions and we got to vote +1 or -1 as to whether we thought it should be forwarded, I realized my mistake. It was not a “drinking song” in the real meaning of that. It was more of a homesick song – lol!

I have a couple of other drinking songs that would have been more appropriate but they need some work. But it might be good to do the work now because you never know when they might just have another call for that kind of song.