YouTube Copyright Claims by Unethical Groups

I’ve really had it with YouTube allowing bogus copyright claims on music producer’s content. For one thing, Apple Loops are royalty free and can be used anywhere. Nobody can claim copyright on them. But it keeps happening – to me and to other music producers. The latest instance was when I recently uploaded a book trailer video for Déjà vu at the Blue Diamond Saloon.

I used my own vocals and piano and drum programming but backed it with some piano Apple Loops. I got a copyright claim notice from somebody named Hexacorp. I couldn’t find anything about them on YouTube itself, so I searched the internet. From what I can tell, they seem to do this a lot – claim copyright on free Apple loops. Totally unethical. And should be illegal. What have they done? Uploaded every free Apple loop and claimed copyright? I can’t imagine but I don’t know how else this is happening.

What’s even more ridiculous is because they now have to identify which section is the copyrighted material, the part they identified was looped throughout so why just single that section? It’s beyond belief what YouTube allows, and I’m so tired of filing these disputes to get the copyright claim lifted, when it’s all bogus!

It’s not like I’m trying to build a channel and monetize it. I just need a place to host my videos so I can share them with others. So what’s my recourse? I could just not use loops or I can edit them to change them up in hopes that my music won’t receive a copyright claim. But better yet, I’m thinking of upgrading my WordPress account so that I can use the video hosting feature. Yes, it’ll cost me a few extra bucks a month, but I’d rather retain control over my content – not allow some crook to claim it in hopes of making money off of me.

In the meantime, I wait to get a response from the so-called “owners” of the copyright claim. They have 30 days to respond. I’m here to fight it out, if necessary, before I delete my YouTube account and host my own videos. Another lesson in regaining control over your content – don’t trust social media sites where you have no real ownership.

 

Happy Halloween or Good-bye Rocktober, Hello NanoWriMo?

My daily challenge is – where do I spend my time? Work on my latest wip or write/produce new music? After 50/90, a 3-month challenge to write 50 songs (I wrote 40), followed by Rocktober where you cover rock songs, putting your own spin on it, I’m pretty sure I’m going to devote the rest of this this year to writing/rewriting my 2 wips (my nod to NanoWriMo this year), followed by a blog tour for the paperback edition of my novel Deja Vu at the Blue Diamond Saloon. I’m also creating music for the book trailer for the blog tour of DV and I also want to create a track list for my wip.

Other than these 2 projects, I’m thinking that other music will have to wait until next year. But I can’t wait to get back to it when I see my charting position on Reverbnation:

Yep, that’s me in the #2 position for EDM in Las Vegas. Help me get to #1 by following me on Twitter and/or  Reverbnation.

Thank you!

Happy Halloween!

#EDM PLAYLIST (#FAWM #50/90)

During FAWM and 50/90, it became clear, without a doubt, that my music focus is EDM. The community has now come to expect this sound from me. So I created a playlist for the top songs I wrote and produced during the 2019 50/90 and FAWM challenges (scroll to see entire list):

Rhiannon #EDM Remix for #Rocktober

Rocktober follows 50/90 (write 50 songs in 90 days), but instead of writing new songs, you do your own spin on a rock cover song. This is my first Rocktober, and, so far, I’ve done 4 songs in my electronic dance, beat-driven style:

  1. Drive My Car (Beatles)
  2. I Think We’re Alone Now (Tommy James and the Shondells/Tiffany)
  3. Paperback Writer (Beatles)
  4. Rhiannon (Fleetwood Mac)

Rhiannon seems to be the favorite. Which one is yours?

To be first to hear what’s next, follow me on SoundCloud.

L.A. Nights Book Trailer is Live

Story and Music by Kathy Holmes

I love making book trailers, using visuals and making my own music to give a peek into a story I also wrote. L.A. Nights is available as a standalone short story or as part of the Cougars in Cabo anthology. For more information, see SHORT STORIES under the BOOKS menu.

Tequila, Take Me Home

I wrote this song when we were living in Florida. We were having lunch at La Fiesta, the most Southern California Mexican restaurant in the New Smyrna Beach/Daytona area and I was soaking up the atmosphere, the Mexican music, and the “Mexican Margarita,” as they called it. It was my favorite, if not a bit strong.

A Native Californian, I was so homesick for the West Coast so I took a drink and said, “Tequila, Take Me Home.” That became a song.

So when Taxi A&R had a listing for “drinking songs,” I submitted it. Well, it was not forwarded. But after last night’s episode where they played many of the submissions and we got to vote +1 or -1 as to whether we thought it should be forwarded, I realized my mistake. It was not a “drinking song” in the real meaning of that. It was more of a homesick song – lol!

I have a couple of other drinking songs that would have been more appropriate but they need some work. But it might be good to do the work now because you never know when they might just have another call for that kind of song.

I Freakin’ Love Music Production

So I started my Silicon Valley career in book production working for San Francisco publishers and printers before I segued to high tech companies in San Jose. Unfortunately, production departments were eventually incorporated into technical writing so I was forced to do both. But I’ve always had a thing for production. And now it’s music production.

You know how you can’t seem to avoid people on Facebook who follow some site called “I freakin’ love science” (to put it nicely). Well, I freakin’ love music production. I can’t resist watching videos of music producers working in their studios. Oh, yeah, Loopcloud isn’t bad either.

Check out this video about the latest version of Loopcloud.

Music vs. Fiction: Music Always Wins #amwriting #songwriting

January has just begun and already I’m in trouble. Choosing to focus on writing and music, I realize I must designate one as the priority because both of them take enormous skill and time and focus to succeed. Sure, I can pursue both, but I must choose which will be number one in my life. I keep returning to this truth for me.

Music always wins. And now I have a separate designated studio in my home, which is great because then the cats can’t chew the wires. 🙂

But songwriting still counts as writing, right? Will that be enough or will I have to fit in fiction, too? Yeah, that’s what I thought.

Besides, I can always write fiction during breaks from music because you always need breaks, right? But there are just so many pieces to a song, including vocal warmups, as Shelly Peiken writes about in her latest blog post here.

 

 

The November Unplugging Experiment

I managed to unplug from social media and blogging for the month of November but I’m not quite sure of the results. Perhaps it’s too soon. But I can say I did more reading, took more classes in electronic music production, learned more songs on my music keyboard, and wrote more lyrics by unplugging.

December finds me halfway across the country in another cross-country move. The new house will give me a casita for a dedicated music studio, which I’m very excited about. This reinforces my belief that I’m supposed to be focusing on music at this stage of my life. I’m certainly being equipped. Now it’s up to me to do the work.

There’s so much more I long to learn and do and accomplish when it comes to music. I’m hungry for it. I’ve got so much lost time to make up for by neglecting it for so many years. I urge you to never give up pursuing your art. But there’s a specific time for everything. Perhaps only now am I ready for this.

And thinking now about how all of you reading this blog and I are connecting in some artistic way inspires me more than I can say.