During FAWM and 50/90, it became clear, without a doubt, that my music focus is EDM. The community has now come to expect this sound from me. So I created a playlist for the top songs I wrote and produced during the 2019 50/90 and FAWM challenges (scroll to see entire list):
Rocktober follows 50/90 (write 50 songs in 90 days), but instead of writing new songs, you do your own spin on a rock cover song. This is my first Rocktober, and, so far, I’ve done 4 songs in my electronic dance, beat-driven style:
- Drive My Car (Beatles)
- I Think We’re Alone Now (Tommy James and the Shondells/Tiffany)
- Paperback Writer (Beatles)
- Rhiannon (Fleetwood Mac)
Rhiannon seems to be the favorite. Which one is yours?
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Just returned from a birthday trip to SoCal, so I’m a little behind with 50/90 (50 songs in 90 days), but thought I’d post my 5th and favorite song (so far). Check it out:
Story and Music by Kathy Holmes
I love making book trailers, using visuals and making my own music to give a peek into a story I also wrote. L.A. Nights is available as a standalone short story or as part of the Cougars in Cabo anthology. For more information, see SHORT STORIES under the BOOKS menu.
I wrote this song when we were living in Florida. We were having lunch at La Fiesta, the most Southern California Mexican restaurant in the New Smyrna Beach/Daytona area and I was soaking up the atmosphere, the Mexican music, and the “Mexican Margarita,” as they called it. It was my favorite, if not a bit strong.
A Native Californian, I was so homesick for the West Coast so I took a drink and said, “Tequila, Take Me Home.” That became a song.
So when Taxi A&R had a listing for “drinking songs,” I submitted it. Well, it was not forwarded. But after last night’s episode where they played many of the submissions and we got to vote +1 or -1 as to whether we thought it should be forwarded, I realized my mistake. It was not a “drinking song” in the real meaning of that. It was more of a homesick song – lol!
I have a couple of other drinking songs that would have been more appropriate but they need some work. But it might be good to do the work now because you never know when they might just have another call for that kind of song.
So I started my Silicon Valley career in book production working for San Francisco publishers and printers before I segued to high tech companies in San Jose. Unfortunately, production departments were eventually incorporated into technical writing so I was forced to do both. But I’ve always had a thing for production. And now it’s music production.
You know how you can’t seem to avoid people on Facebook who follow some site called “I freakin’ love science” (to put it nicely). Well, I freakin’ love music production. I can’t resist watching videos of music producers working in their studios. Oh, yeah, Loopcloud isn’t bad either.
Check out this video about the latest version of Loopcloud.
January has just begun and already I’m in trouble. Choosing to focus on writing and music, I realize I must designate one as the priority because both of them take enormous skill and time and focus to succeed. Sure, I can pursue both, but I must choose which will be number one in my life. I keep returning to this truth for me.
Music always wins. And now I have a separate designated studio in my home, which is great because then the cats can’t chew the wires. 🙂
But songwriting still counts as writing, right? Will that be enough or will I have to fit in fiction, too? Yeah, that’s what I thought.
Besides, I can always write fiction during breaks from music because you always need breaks, right? But there are just so many pieces to a song, including vocal warmups, as Shelly Peiken writes about in her latest blog post here.
I managed to unplug from social media and blogging for the month of November but I’m not quite sure of the results. Perhaps it’s too soon. But I can say I did more reading, took more classes in electronic music production, learned more songs on my music keyboard, and wrote more lyrics by unplugging.
December finds me halfway across the country in another cross-country move. The new house will give me a casita for a dedicated music studio, which I’m very excited about. This reinforces my belief that I’m supposed to be focusing on music at this stage of my life. I’m certainly being equipped. Now it’s up to me to do the work.
There’s so much more I long to learn and do and accomplish when it comes to music. I’m hungry for it. I’ve got so much lost time to make up for by neglecting it for so many years. I urge you to never give up pursuing your art. But there’s a specific time for everything. Perhaps only now am I ready for this.
And thinking now about how all of you reading this blog and I are connecting in some artistic way inspires me more than I can say.
As hard as I’ve tried to get back into writing fiction – taking a class from the Las Vegas chapter of RWA and reading No Plot, No Problem – to motivate myself to join NaNoWriMo for the month of November, I just can’t do it. I’m too far gone when it comes to music these days and I’m dreaming of upgrading my studio.
I’m pretty sure I won’t really be doing NaNoWriMo – oh, sure, I’ll continue to write the tome I seem to be working on when the mood strikes, ie, a scene or emotion comes to me that I must write down. Maybe because these days music is my main focus. And that is quite a juggling act.
In Songwriting: Essential Guide to Lyric Form and Structure, published by Berklee Press, it says this about writing lyrics upfront, right in the introduction, the first page of the book:
You will have no trouble learning about lyric structure. It is simple, just like juggling. When a juggler keeps four balls in the air at once it may seem like magic, but there is no magic involved. The juggler learned by throwing one ball up and catching it, throwing and catching, stopping and starting the motion; always gaining greater control over the movement of the ball. Then came two balls, then three, throwing and catching, stopping and starting, with greater and greater control.
As a lyricist, you must learn to juggle four balls.
1. How many phrases does it have?
2. How long is each phrase?
3. What is the rhythm of each phrase?
4. How are rhymes arranged?
And that’s just the lyrics. Then there’s the music, and music production. Each piece requires great skill, learning the craft, and practice. And then they all must work together – prosody, that’s what it’s all about.