My Isolation Has Been Invaded by Everybody “Self-Isolating”

In the artist world, “Isolation courts the muse.”

As a writer and music producer, isolation is my normal life and one I love. I’m in my element here.

EXCEPT now that the world is forced into isolation, the wrong kind of people are doing it. They can’t stand the isolation so now everywhere I go electronically, there they are making a BIG noise about creating more online communities, live-streams, growing by the hour! Writing groups, music groups, cruising groups, Disney groups, groups from every direction. Anything to break their isolation. My email is FILLED with these announcements. The pressure to join in is great!

NOW that churches are online only, they are also creating a large number of live-streams of sermons, masses, liturgies, readings and prayers. I love them but a little goes a long way. My email is FILLED with announcements. The pressure to join in can’t help be felt just because they exist.

Their numbers are growing on a daily basis because the world can’t do anything unless it beats a good idea to death.

And now they’ve invaded my SACRED space.

I can’t wait for the world to get back to work and going about their noisy business and leaving me to my artist life. I can’t wait to drop in at church once a week and spend my own private prayer time alone at home. Having the world in your virtual space is too much for any introvert.

Truly, I hope that more opportunities/acceptance to work remotely will grow moving forward but only for those suited for it. We need to honor who people are and how they work best. This can only benefit their employers, spyware not needed.

Deja Vu at the Blue Diamond Saloon, the Book, the Poem, the Tour, and Now the Song (#FAWM)

You may recall that I’d just finished a publicity tour for my psychological suspense novel, Deja Vu at the Blue Diamond Saloon at the end of 2019 before starting FAWM on February 1st. Well, during the tour, I’d written a poem about the book here.

So, naturally, I turned that into a song for FAWM 2020. Check it out. I hope you like it – the song, poem, the tour, and the book. 🙂

FAWM 2020 (#FAWM) Playlist

FAWM 2020, my third FAWM (February Album Writing Month), is over and I survived – lol! From various EDM subgenres to Rock to Blues to Disco, I managed to create 16 songs, including 1 collab, and a poem that was completely rewritten by the time it made it to the finals with some music.

Here’s a playlist of my 10 favorite songs for FAWM 2020.

#1 EDM Artist in Las Vegas on Reverbnation

Wow! The thing I thought would never happen happened! Screamie Birds is now the #1 EDM artist in Las Vegas on Reverbnation.

I’ve bounced around between #2 and #10, but mostly keeping steady at #2. Last week I went from #2 to #3. But now, for the first time I’m the #1 EDM artist in Las Vegas on Reverbnation. I thought it would never happen! So stoked! Time to create some music!

Book in One Hand, Transistor Radio in the Other

This is how I’ve been describing myself since I first started writing and publishing on my web site. The funny thing is, later in life I met my father and discovered this whole musical family of mine. In fact, several family members are friends with Metal Christian group Stryper and Michael’s mother told me that the first time she saw my grandfather, he had Uncle Steven in one hand, and a transistor radio in the other. Talk about coming full circle.

Anyway, I found this 50th birthday video with his parents, and I can see why they would be friends with my grandparents and family. Each discovery helps me piece together my identity and the connection I have with my musical family, taking it all in, looking for the path to my future.

Blogmas, Day 30: End-of-Year Ableton Live Progress (#blogmas)

Many of you blogging this blogmas have mentioned the books you’ve enjoyed reading over the holidays. And in the past, that might have been me, too, especially if you mean fiction. But this year I’ve been cramming learning Ableton Live, taking tutorials and reading non fiction books. Gearing up for FAWM (“February Album Writing Month”), I guess

Logic Pro X is my DAW of choice but as an EDM producer, I wanted to learn Ableton Live. It seems so suited to the music genre. But it’s been quite a struggle in some ways, in others it’s been a breeze. I think that’s because each DAW specializes in different areas. I can sit down and start creating a song right away in Logic Pro, in Ableton, it seems the simplest things are the most difficult. But when it comes to mastering more of the advanced features in music production, Ableton seems to do it much more easily.

And while I’ve been madly applying myself to music tutorials for Ableton, I stumbled upon some really cool ones for Logic Pro, too, and have learned some interesting things I’m quite excited about. What to do, what to do? Ableton Live or Logic Pro? Well, I suppose I really don’t have to choose because I imagine it’s good for a producer to know more than one DAW. The real choice is which one do I use in the moment? lol!

There are a lot of tutorials out there, but it can be challenging following along. Sometimes they use third party plug-ins that you don’t have or their techniques zip past you so fast, you can’t possibly keep up. I’ve probably tried dozens just on one site. Anyway, here’s a sample song I managed to figure out in Ableton Live (via Groove3) from programming drums and synths to mixing and adding special effects such as EQ, reverb, and automation.

2019: the Year of Many Firsts for Me in Music

It’s that time of year when we start looking back over the year to see how we did in whatever we’d hoped to pursue or accomplish at the stroke of midnight New Year’s Eve the year before.

So, as I start to look back on 2018, I realize there were many firsts for me musically. And while February may have brought my second FAWM, July through September enticed me to try my first 50/90 (write 50 songs in 90 days challenge). During that time, I even took on the challenge of trying out Ableton Live 10 (Standard Version). I’m now upgrading to Suite with so much more to learn yet.

All of that was so much fun, making friends and sharing music with other musicians, I couldn’t resist participating in my first Rocktober (Rock cover songs done your way) in October. Now I’m counting down to the next FAWM, looking forward to meeting up with some of my new friends, to see what they’re doing musically, and to see how far I hope to come by February.

Listening to some of the songs I wrote/produced this year, one of my favorites is Pop the Clutch:

YouTube Copyright Claims by Unethical Groups

I’ve really had it with YouTube allowing bogus copyright claims on music producer’s content. For one thing, Apple Loops are royalty free and can be used anywhere. Nobody can claim copyright on them. But it keeps happening – to me and to other music producers. The latest instance was when I recently uploaded a book trailer video for Déjà vu at the Blue Diamond Saloon.

I used my own vocals and piano and drum programming but backed it with some piano Apple Loops. I got a copyright claim notice from somebody named Hexacorp. I couldn’t find anything about them on YouTube itself, so I searched the internet. From what I can tell, they seem to do this a lot – claim copyright on free Apple loops. Totally unethical. And should be illegal. What have they done? Uploaded every free Apple loop and claimed copyright? I can’t imagine but I don’t know how else this is happening.

What’s even more ridiculous is because they now have to identify which section is the copyrighted material, the part they identified was looped throughout so why just single that section? It’s beyond belief what YouTube allows, and I’m so tired of filing these disputes to get the copyright claim lifted, when it’s all bogus!

It’s not like I’m trying to build a channel and monetize it. I just need a place to host my videos so I can share them with others. So what’s my recourse? I could just not use loops or I can edit them to change them up in hopes that my music won’t receive a copyright claim. But better yet, I’m thinking of upgrading my WordPress account so that I can use the video hosting feature. Yes, it’ll cost me a few extra bucks a month, but I’d rather retain control over my content – not allow some crook to claim it in hopes of making money off of me.

In the meantime, I wait to get a response from the so-called “owners” of the copyright claim. They have 30 days to respond. I’m here to fight it out, if necessary, before I delete my YouTube account and host my own videos. Another lesson in regaining control over your content – don’t trust social media sites where you have no real ownership.