DJ Track Highlighting My Favorites from the 50/90 Challenge #2021 (#50/90 #Songwriting #MusicProducer)

As we count down to 2022, I figured it was time to create a DJ track of my favorite songs from the 50/90 challenge (writing 50 songs in 90 days). It is now available on MixCloud (mixed for headphones):

Using Push with Logic Pro 10.7

Torn between Ableton Live and Logic mostly because of my investment in Push, I started playing around with the Drum Sequencer in Logic using the new 10.7 record feature, and Push as the controller. It was a little wild, but so freeing and fun! Here’s a little clip of me jamming on the drums using Push.

What Disco, Metal, Rock, and House Music Have in Common

Major influences on today’s music. House Music Godfather Marshall Jefferson said (in Electronic Musician) his early influences were Led Zeppelin and Deep Purple. But he moved on to club music because he thought only big, sweaty men went to Zeppelin and Deep Purple and he wanted to meet some women. Ha! Not entirely true, though – lol!

Those were also my influences and my friends and I went to plenty of concerts. And if you read the comments on YouTube, you’ll see that other women were/are fans, too.

Writing for Today’s Reader

“Even if you write historical, you must write for today’s reader.”

I recently read something like, “Even if you write historical, you must write for today’s reader.” And that, my friend, is why I find it so difficult to find a book to read or write. I never thought I was old-fashioned until now. The world’s values have changed so greatly, and I’m just not into it.

I’m often drawn to watching historicals on TV, but I’ve noticed how they’re pretty much rewriting history for today’s viewer with today’s values. That is such a turnoff for me. But I get it, I really do.

For example, I read a sample from Good Enough: The Myth of Success and How to Celebrate the Joy in Average by Eleanor Ross where the author stated that Millennials have felt so much pressure to excel their entire lives and it’s all become too much. So now they just want to be mediocre and that is good enough.

I get that, really, I do. Because it’s swung all the way to the other end from when I was growing up. And why my generation, so many of us repressed and told we couldn’t do things, decided to stand tall and say, “I’m amazing and I can do anything I want to do.” Then, perhaps, they pushed their kids and the next generation or two to be all you can be. And that’s too much pressure for anybody.

This whole write for today’s reader idea is why, I’m thinking, I cannot finish writing She’s Not That Good or start something new. Because if the story question is how she’s struggling to achieve anything and finally when she does, she’s feeling pretty awesome, well, that’s going to turn off those Millennials who are struggling with the opposite problem.

Then, again, I have no problem writing music, at least not dance music, for today’s generation. Music seems to reach across generations so when somebody calls my track “dope” or “smokin,” I’m quite pleased. (They used to say my characters were “fabulous.”)

I really haven’t been able to write much ever since social media took over the world. So many thoughts and ideas battling around, I feel like I have nothing to add, like I’ve said everything I have to say, and it’s time for music now. Or at least express my thoughts in sound, poems and lyrics.

 

“Don’t Touch Me” (#50/90 #music #producer #songwriting #challenge #LogicPro)

Now that 50/90 is over for this year, I’m going through my tracks to pick out my favorites to bring back into the studio for further mixing/remixing, etc. This one I did in Logic Pro.

Don’t Touch Me
(Kathy Holmes @ Screamie Birds Studios)

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Verse

I brush past you in the crowd
Give you a little bump
You bump back, give me a smile
Haven’t seen you in a while

Verse

Since the day you asked me out
And then never showed
Got a better offer I heard
Or that’s what I was told

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Bridge

You ask me for my number
I don’t do that, don’t do that
You know you want it, want it
No I don’t, as a matter of fact
I just came here to dance

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

The Truth Is: 50/90 Song #55

I haven’t been able to stop writing songs for 50/90–it’s such an awesome motivator, especially with feedback from this community of fellow musicians/songwriters.

One of the features is that you can indicate your favorite songs so when somebody stops by, they might want to listen to those. The problem is, my favorite song seems to be the one I’m working on – lol!

So, song #55, my latest song at this moment (55 out of 60), is my favorite. With this one, I was experimenting with the CLA vocal plugin, recommended to me by a fellow producer. I start with shadowing vocal samples from Audentity Records and then take the lead with my lyrics using the “Moody” preset of the CLA plugin.

Take a listen here:

For the Love of Music (Production)

I suppose I could have gone back to school to complete a degree but I had gotten so far without it. Perhaps if I’d wanted to change careers, it might have been worth it. But to go through all that time, effort, and money to continue doing what I was doing already didn’t seem worth it. Just to make other people happy and to avoid those awkward interview questions, certainly not.

For one thing, the only thing I really wanted to do was to make music and through targeting specific classes, training, and certificate programs, I’ve been able to learn what I need to know. That’s how I got as far as I did in Silicon Valley in the first place. Truth be told, I loved my work more when I was in book production – so much more creative than technical writing.

And so music production is where I’ve landed in the music world. And I absolutely love it.