Why I Used #LogicPro Instead of #Ableton for #50/90 #Songwriting #Challenge

For those of you who do not know, 50/90 is a songwriting challenge where you attempt to write 50 songs in 90 days, starting around July 4th, ending October 1. It’s an offshoot of FAWM (February Album Writing Month) where you attempt to write 14 songs in the month of February.

2018 was my first FAWM and it nearly killed me – lol! I was new to songwriting and music production and putting my music out there for critique was stressful. But I was hooked. The community is especially supportive, and I loved that interaction with other songwriters/musicians.

The first time I heard of 50/90, well, I thought that was insane and never really took it seriously. Last year, I might have written a couple of songs. But this year, I ended up creating 60 songs – busting past the 50 even. I couldn’t believe it. But I got hooked on creating songs every day.

Right before 50/90 started this year, I’d purchased Push2, and I’d hoped that 50/90 would be a great opportunity to get creative with Push. However, with the daily pressure of getting songs out there, I found I was relying on me knowing Logic Pro and being more comfortable with it.

The other personal music challenge I’d given myself was to do more songwriting/performing rather than the usual EDM tracks and I much prefer Logic Pro for that – the “note” section is perfect for writing lyrics and/or having them while recording.

Logic has an awesome assortment of loops, which I also relied on during this time crunch. My intention for Push2 was to move beyond stock loops and create my own, but I just didn’t have time to acquire those skills in time for 50/90.

It’s 4 months until FAWM 2022. Is that time to get comfortable with Ableton and Push2?

“Don’t Touch Me” (#50/90 #music #producer #songwriting #challenge #LogicPro)

Now that 50/90 is over for this year, I’m going through my tracks to pick out my favorites to bring back into the studio for further mixing/remixing, etc. This one I did in Logic Pro.

Don’t Touch Me
(Kathy Holmes @ Screamie Birds Studios)

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Verse

I brush past you in the crowd
Give you a little bump
You bump back, give me a smile
Haven’t seen you in a while

Verse

Since the day you asked me out
And then never showed
Got a better offer I heard
Or that’s what I was told

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Bridge

You ask me for my number
I don’t do that, don’t do that
You know you want it, want it
No I don’t, as a matter of fact
I just came here to dance

Chorus

Don’t touch me, don’t touch me
I’m just here for the beat

Don’t touch me, don’t touch me
I’m just here for the beat

Goodbye July or “What I Did While Trying to Make Disneyland Dining Reservations”

This is the story of how I wrote yesterday’s poem and turned it into a song early this morning while trying to make Disneyland dining reservations.

The night before last I was awake during the night looking at the calendar on my iPhone trying to make Disneyland dining reservations (which is such a crapshoot these days), realizing I couldn’t make September ressies for at least one more day, if I was lucky. Staring at the month of July, I was thinking about how July may be my least favorite month – certainly living in the hotter states I’ve lived in like Southern Nevada and Central Florida. Will July ever end?

I then jotted down those lyrics.

Last night I was awake during the night doing the same staring at the calendar thing, trying again to snag Disneyland dining reservations, and I thought, “I must write the music for those lyrics.” I did snag some ressies, so then I got up at around 4 am and recorded this song, trying not to sing too loudly so I wouldn’t awaken my husband and cats – lol!

It was a lot of fun and came out better than I thought it would. Hope you enjoy!

First Song for 50/90 2021 #lyrics #music #producer #LogicProX

A Lifetime

Lyrics*

A lifetime is a long time to never have known you
Decisions were made without your consent
Birthdays and Christmas and favorite Sunday dinners
Counting the measures never ending torment

Photos displayed on a beachy white dresser
The cross prays for family unknown to the pastors
Strumming the coasts in search of heart’s answers
Mothers in hiding and cruel puppet masters

The child pays the price for adults who are wounded
The cycle must end in choices not taken
Letting go of love for what can never happen
Walking day to day with a soul deeply shaken

(Repeat)

*Inspired by the #lyric #poem I wrote here.

For the Love of Music (Production)

I suppose I could have gone back to school to complete a degree but I had gotten so far without it. Perhaps if I’d wanted to change careers, it might have been worth it. But to go through all that time, effort, and money to continue doing what I was doing already didn’t seem worth it. Just to make other people happy and to avoid those awkward interview questions, certainly not.

For one thing, the only thing I really wanted to do was to make music and through targeting specific classes, training, and certificate programs, I’ve been able to learn what I need to know. That’s how I got as far as I did in Silicon Valley in the first place. Truth be told, I loved my work more when I was in book production – so much more creative than technical writing.

And so music production is where I’ve landed in the music world. And I absolutely love it.

Words to Live By

I’m often torn between focusing on writing novels and producing music. As if I must make a choice. And even though I know I don’t have to choose, not choosing does present a challenge of focus. Sometimes it’s difficult to be good at anything if you’re not focused on one thing.

However, my husband reminded me of this Erma Bombeck quote:


These are definitely words I want to live by.

“Everybody Lies” – Sneak Peek Short Story and Song Now on Amazon and YouTube

After my “Everybody Lies” House Remix, I created a video highlighting the song and the short story called “Everybody Lies,” which is a peek into a novel called Everybody Lies. The short story that kicks off the novel was super hot with agents. When I was making the submission rounds, that opening often garnered full manuscript requests, which was pretty exciting.

The novel is now being edited but if you want to know when it will be released, you can sign up here.

EVERYBODY LIES

Forty-year-old Sherry Boyd has never really grown up. She’s living life in a fantasy, in a world where life is played out in a Hollywood musical. The stories she heard about the father she has never met, how her parents met when her mother worked as an usher at Grauman’s Chinese Theatre, and of her charismatic father performing on stage have fed her own dreams to follow in her fantasy father’s footsteps.

Trouble is, Sherry is dreaming her life away instead of following her passion. When she finds herself floundering in Florida after following her latest lover, Matt, from San Francisco to Key West, she knows that something has to change. Not knowing how to dig herself out of her latest mess, she continues to repeat her mistakes of singing in jazz joints and hanging out with musicians until she finally realizes she has to confront the lies from the past to face the future.

Guest Appearances:

Monterey Jack from the Real Women Wear Red and Real Women Sing the Blues

Babs from Letters on Balboa Island

“Uncle Frankie” from Letters on Balboa Island

EVERYBODY LIES Now Available as a Short Story peek for your Kindle.

New Beginnings (#50/90 #poem #lyrics)

Yes, it’s the 4th of July, Independence Day for the U.S. but also the first day of 50/90 (the write 50 songs in 90 days challenge). And so a poem came to mind during the night, raw, for sure, but, inspired by “The Making of Frozen II” on Disney Plus, I post it as part of the process of 50/90.

New Beginnings

Surrender the old
Trust in the beginning
Embracing the new
In spite of the blues
These words to the wise
My fears not disguised

This time feels different
Body older and fragile
Relying on me no longer
My spirit is stronger
The old self-reliance
Becomes a castle of silence

My heart beats a longing
For what I know not
Showing up and suited
Desire deeply rooted
Stories and sounds on keyboards I write
What the muse whispers to me in the night

Gearing up for 50/90

Fifty-ninety begins July 4th and lasts through September 30. The challenge is to create 50 songs in 90 days. I think it will be an awesome way to focus.

Yesterday, I posted on my travel blog some thoughts about my childhood and how when we visited my step dad’s family in California’s Central Valley, I would leave the women behind in the living room talking about babies to sit with the men on the front porch talking trash about drinking, the neighbors, and other stuff I can’t remember while making home-made ice cream.

Anyway, that got me to thinking about how hanging out with musicians in places like FAWM and 50/90 and Sonic Academy is like hanging out with the guys on the front porch. While there are women there, the majority are men. And that’s more than okay.

I also notice that when I’m involved in podcasts and live videos in these communities, we focus on the music. Nothing else exists other than a passing comment about having more time to create music. There’s no politics. And it’s so refreshing.

So I’m thinking that maybe if I focus on the next 90 days, that when it’s over, all of this might be over. Or in a better place than where we are now. And if not, October brings Rocktober and November brings National Solo Album Month (NaSoAlMo), the music version of NaNoWriMo (instead of writing a novel in a month, you write an album). Maybe *then* it will be over. If not, then there’s Christmas and New Year’s and then maybe it will be over or mostly over in 2021.