As hard as I’ve tried to get back into writing fiction – taking a class from the Las Vegas chapter of RWA and reading No Plot, No Problem – to motivate myself to join NaNoWriMo for the month of November, I just can’t do it. I’m too far gone when it comes to music these days and I’m dreaming of upgrading my studio.
I’m pretty sure I won’t really be doing NaNoWriMo – oh, sure, I’ll continue to write the tome I seem to be working on when the mood strikes, ie, a scene or emotion comes to me that I must write down. Maybe because these days music is my main focus. And that is quite a juggling act.
In Songwriting: Essential Guide to Lyric Form and Structure, published by Berklee Press, it says this about writing lyrics upfront, right in the introduction, the first page of the book:
You will have no trouble learning about lyric structure. It is simple, just like juggling. When a juggler keeps four balls in the air at once it may seem like magic, but there is no magic involved. The juggler learned by throwing one ball up and catching it, throwing and catching, stopping and starting the motion; always gaining greater control over the movement of the ball. Then came two balls, then three, throwing and catching, stopping and starting, with greater and greater control.
As a lyricist, you must learn to juggle four balls.
1. How many phrases does it have?
2. How long is each phrase?
3. What is the rhythm of each phrase?
4. How are rhymes arranged?
And that’s just the lyrics. Then there’s the music, and music production. Each piece requires great skill, learning the craft, and practice. And then they all must work together – prosody, that’s what it’s all about.