Happy Halloween or Good-bye Rocktober, Hello NanoWriMo?

My daily challenge is – where do I spend my time? Work on my latest wip or write/produce new music? After 50/90, a 3-month challenge to write 50 songs (I wrote 40), followed by Rocktober where you cover rock songs, putting your own spin on it, I’m pretty sure I’m going to devote the rest of this this year to writing/rewriting my 2 wips (my nod to NanoWriMo this year), followed by a blog tour for the paperback edition of my novel Deja Vu at the Blue Diamond Saloon. I’m also creating music for the book trailer for the blog tour of DV and I also want to create a track list for my wip.

Other than these 2 projects, I’m thinking that other music will have to wait until next year. But I can’t wait to get back to it when I see my charting position on Reverbnation:

Yep, that’s me in the #2 position for EDM in Las Vegas. Help me get to #1 by following me on Twitter and/or  Reverbnation.

Thank you!

Happy Halloween!

One Year Ago (Today) Original Song #50/90

I posted the original lyrics written in the wee hours of the morning as a tribute to my father’s passing, one year ago today in the John Wayne and Jacqueline post.

Then I took the story and wrote an EDM track, with stripped down lyrics, compete with groggy vocals, all recorded on GB on the iPad with earplugs in the living room so not to awaken the house. Here’s the outcome:

L.A. Nights Book Trailer is Live

Story and Music by Kathy Holmes

I love making book trailers, using visuals and making my own music to give a peek into a story I also wrote. L.A. Nights is available as a standalone short story or as part of the Cougars in Cabo anthology. For more information, see SHORT STORIES under the BOOKS menu.

FAWM Day 5: Howling of the Wind (#poem)

Rat-a-tat on my window pane
The treetops holler from the third floor
Like a stranger knocking let me in
Pounding loudly outside my bedroom door

The slider on the second floor rattles my nerves
Is Daisy safe hiding in an unreachable place?
Should I tiptoe downstairs in barefoot curves?
Dodging life’s bullets hurling in space

Slurping kitty quiets the mouse
And the raging fury of the desert wind
Stills my heart praying for grace in this house
While the muse gathers strength to show up again

Creativity hides from a quiet life
Yet the artist resists her vocation like the Prophet Jeremiah
The priest reassures me about suffering and strife
A human lost in confusion in a broken Hallelujah

Once I was lost and now I am found
And the howling of the wind spins round and round…

(My middle-of-the night offering to my King)

Red Tiled Roof (poem)

Rat-a-tat-tat Rat-a-tat-tat
Rhythm of the drum of an ally cat
Clippity clop of a horse’s hoof
Rainy night on a red-tiled roof

Drip drip drip sings the rain
So unusual on the desert plain
This time home is more of a stranger
It feels so temporary, so full of danger

Where did it go just last year
It’s gone for good is the deepest fear
Three thousand miles more or less
Hurrying back to cross the abyss

Writing songs up all night
About home and loss and other frights
Night time writing so aloof
Recognizing only the red-tiled roof

You’re Somebody Else (Warming Up for #2019)

We all have goals we set for the new year, and I’m setting goals for both writing and songwriting, I’ve been struggling with how to juggle both but I find that instead of saying I’ll do music in the morning and writing in the afternoon or vice verse, I just have to go where the muse leads me – as long as it leads me somewhere on a daily (M-F) basis.

The best way I know to start warming up with music is to do some rehearsal vocals as a singalong cover song. So as I was rearranging the kitchen cabinets (have I told you how tiny this kitchen is?) in the Vegas house, I heard this song on Spotify and just had to do my thing with it.

So, here it is, warming up with “You’re Somebody Else” (Flora Cash).

#Blogtoberfest Day 23: Why I Won’t Be Doing #NaNoWriMo

As hard as I’ve tried to get back into writing fiction – taking a class from the Las Vegas chapter of RWA and reading No Plot, No Problem – to motivate myself to join NaNoWriMo for the month of November, I just can’t do it. I’m too far gone when it comes to music these days and I’m dreaming of upgrading my studio.


(Photo: iPhone snap from Sweeetwater Ad in Electronic Musician magazine)

#Blogtoberfest Day 18: Writing Lyrics (the Great Juggling Act)

I’m pretty sure I won’t really be doing NaNoWriMo – oh, sure, I’ll continue to write the tome I seem to be working on when the mood strikes, ie, a scene or emotion comes to me that I must write down. Maybe because these days music is my main focus. And that is quite a juggling act.

In Songwriting: Essential Guide to Lyric Form and Structure, published by Berklee Press, it says this about writing lyrics upfront, right in the introduction, the first page of the book:

You will have no trouble learning about lyric structure. It is simple, just like juggling. When a juggler keeps four balls in the air at once it may seem like magic, but there is no magic involved. The juggler learned by throwing one ball up and catching it, throwing and catching, stopping and starting the motion; always gaining greater control over the movement of the ball. Then came two balls, then three, throwing and catching, stopping and starting, with greater and greater control.

As a lyricist, you must learn to juggle four balls.

1. How many phrases does it have?

2. How long is each phrase?

3. What is the rhythm of each phrase?

4. How are rhymes arranged?

And that’s just the lyrics. Then there’s the music, and music production. Each piece requires great skill, learning the craft, and practice. And then they all must work together – prosody, that’s what it’s all about.