One of my favorite songs I did for 50/90 this year was a Laurie Anderson-style performance art song. Somebody had left a comment on one of my other songs about the similarity to Laurie Anderson and, frankly, I didn’t know who she was. So I listened to her “Red Dress” song and absolutely loved it.
So, being the author of Real Women Wear Red and songwriter of “Candy Apple Red,” I knew I had to come up with my own version of a Laurie Anderson song, creating a remix of “Candy Apple Red.” And now it’s on youtube. Hope you like it.
Fifty-ninety ends in about a week but I’ve already done my 50 songs – I did it – yay! And the one I had the most fun with is a remix of a song I’d written during my first FAWM in 2018. Fifty-ninety is a fun songwriting challenge and community, but it’s high time I get back to my novels in progress.
Dancing With Travolta(Tribute to Earthquake Ethels)
My goal for 50/90 (write 50 songs in 90 days) was to experiment with different sounds, genres, but mostly my vocals and what they’re capable of, where they find their home, etc. And 45 songs in, it seems the biggest hit (and my favorite) are the 2 spoken word pop art type songs. So much so, I’m thinking this may have planted the seed for creating a concept album of just that for the next FAWM (February Album Writing Month).
So check this one out and let me know what you think… not surprising it’s a song about red – ala my first published novel Real Women Wear Red. 🙂
Fifty-ninety is on its second week. In case you don’t know, 50/90 is the summer songwriting challenge of FAWM, where you are challenged to write 50 songs in 90 days starting on July 4. Last year, for the first time, I completed the challenge. In fact, I wrote 60 songs. This year we’re in the midst of moving cross-country so I’ll do what I can do. Speaking of which, here is my first song: “Nasty Lies.”
Because we’ll be on the road at the beginning of 50/90 (50 songs in 90 days challenge), I’ve done some prep work. And one of the songs I’m working on is called “Jaclyn,” who happens to be the leading lady in “Jaclyn,” the novel. I know, I know, I keep saying I’m no longer writing and then I can’t help myself.
Anyway, here’s a riff from the track followed by an excerpt from the novel.
Jaclyn watched Beau carefully, reading his deep set deep blue sea eyes, open, trusting, and his relaxed demeanor, all six feet two inches spread evenly over the recliner’s body. He didn’t suspect a thing. She was sure of it, and reading people was what had empowered her to do the things she did.
She almost regretted doing what she had to do next.
Finishing the last of her beer, something she indulged him in when it behooved her to garner his favor, she stood up and asked, “Want another?”
He flashed her his boyish grin the way he did when he was off duty, on one of the rare occasions when his head wasn’t full of the gruesome details he encountered on a daily basis as a police officer in Riverside, California, one of the roughest squads in Southern California outside Los Angeles, that is.
Fooling him was all the sweeter because it was his job to read people. She was that sure of herself, and that knowledge kicked her even higher than she already was when she was in the middle of one of her lies. But then, what wasn’t a lie when it came to Jaclyn? She was born to lie. She giggled whenever she floated that phrase around her head.
She carried the empties to the kitchen, popped the top on another bottle and handed it back to Beau. “It’s time to pack,” she said and sauntered down the hall to their bedroom, careful to wiggle her ass in the sexy way he liked it because she was pretty sure he’d turn to watch.
Another woman might have leaned down to kiss him, but she didn’t go for public displays of affection, even in their own home, unless it was necessary to achieve her end. Besides, Beau was more into using his mouth for kissing other parts of her body, something he excelled in. So why waste a kiss?
She opened her suitcase and carefully placed neat rows of clothing and toiletries, and was about to close it when she felt a presence. She looked up and might have been tempted to jump, except for being skilled in hiding her visceral reactions. Beau was leaning against the bedroom door frame watching her.
He took a pull on his beer, leaned his head back, and grinned a different sort of grin. It was a bit of a sick grin, the kind of grin a cat might flash a mouse when he was about to pounce.
For the first time, she felt shaken, willing the uneasiness coursing through her legs to stop. She almost acknowledged his odd look and insist on an explanation. Put him on the defense as she often did. But her cool head prevailed and she continued as if she hadn’t noticed a thing.
Jacklyn clicked the locks on the suitcase, turned to Beau with her usual sweet smile, “Honey, help me get my suitcase to the car,” she said, as if everything was as normal on this day as any other day, although she can’t remember when she last lived what might be considered a normal day. But, perhaps, this was how all people lived their days, in a state of concealed chaos.
“What’s your hurry?”
“Honey, I’ve got a plane to catch. You know that.”
He looked her up and down, put the beer down on the dresser, and pulled her by the waist toward him, his strong hands rubbing up and down her ass. He whispered in her ear, “One for the road?”
Follow or sign up for email notification of book and music releases. To be added to email list, please fill out the contact form.
I’m now on book 10 (The Woman in the Storm) of the Alexandra Mallory series by Cathryn Grant. I’m hooked! Binge reading. This is so unusual for me these days. To find one book, let alone a whole series I can get so immersed in. That’s because Cathryn Grant is a brilliant writer. And it doesn’t hurt that we have such similar backgrounds. I can so “relate” to the character, setting, the writer’s voice, writing trajectory, Silicon Valley career, super strict religious background etc. (see Writing is Murder: Motive, Means, and Opportunity).
Ironically, though, I think that is who I used to be. I’m now immersing myself in electronic music, my passion far stronger than writing, as it turns out. Cathryn inspires me to think about getting back to writing, but as soon as I sit down at my desk, I see my music keyboard and microphone and get totally lost in creating some music. Other than an occasional scene, my wips just can’t get any traction. Music has always been my first love and once I said that out loud, I had to ask myself why I was pursuing a career in fiction instead of music.
Speaking of music, as I prepare for 50/90, I’m also excited by Sonic Academy’s “Synthwave Takeover” going on in the month of June, starting today. Don’t think I’ll be able to participate in the remix contest, though, since we’re getting ready to move cross country. But SynthWave is an interesting, retro genre that I’m more than a bit interested in. Who doesn’t love 80s music? Especially in a new, fresh way.
So when I was living in the San Francisco Bay Area, at one point I was freelancing as a production editor at McGraw Hill Publishers in Berkeley, who were leasing a suite from Fantasy Studios, at least they were in the same building so I’m assuming that’s how it worked.
The three things I loved about that:
Working for a publisher
The sunset views of the Golden Gate Bridge where we stopped what we were doing every night to take a breathtaking look
Fantasy Records (we would sometimes see big names arriving in limos)
Well, I hadn’t thought about any of this in quite a while until I was listening the other night to KCSM, a San Francisco Bay Area Jazz station on the internet (my favorite Jazz station), and she mentioned Fantasy Records, the home to many, many jazz artists, not to mention bands like Creedence Clearwater Revival, etc). And she mentioned one of the artists had recorded a particular song at Fantasy Records. It’s now gone, but the memories live on.
Who knew all these years later I’d be a published author and creating/producing my own music?